本场演出票一经售出恕不退换。

Please note: Tickets are non-refundable and non-exchangeable once sold.

儿童观众需身高超过1.2米或年龄超过7岁，且始终有成年人陪伴。所有观众均需凭票入场，一票一人。

Children must be taller than 1.2 meter or over 7 years old and should be accompanied by an adult at all times. A ticket is required to enter the venue. One ticket can only be used once per person.

演出期间请保持安静并将手机调至静音状态，剧场内严禁拍照、录音、录像。请勿将食物、饮品和鲜花带入演出场所；学院大楼内请勿吸烟。

Please keep quiet and switch your mobile phone to silent during the performance. The taking of photos and videos during the performance is strictly prohibited. Eating or bringing food or liquids or flowers into any of the performance halls is strictly prohibited. Smoking inside the building is strictly prohibited.

迟到观众需等待至每首曲目结束时方能入场。

Latecomers will be asked to wait until the end of each piece before being allowed to enter the venue.

座位图

早鸟票

折扣详情：每个账号可以75折购买4张180价位的演出票（不与其他优惠同享）。

优惠截止时间：2024年11月9日22:00

Early Bird Discount

Discount details: each account can buy 4 tickets at 180 RMB tier with 25% off (not valid with other offers).

Offer expires: 10pm, November 9, 2024

音乐会导赏

18:30 演奏厅

凭当天音乐会演出票免费入场。

Pre-Concert Talk

6:30pm, Recital Hall

Free admission with a day-of-concert ticket.

天津茱莉亚管弦乐团在每个音乐季中献上约十场音乐会。从巴洛克时期曲目到当代作品，天津茱莉亚管弦乐团会为我们带来风格丰富的演绎，其中也包含了与中国传统乐器合作演奏的佳作。常驻教师与客座教师将指导乐队声部排练，并与他们一同练习和演出。在驻团指挥带领的音乐会之外乐团还与著名的客座指挥合作。

林敬基，指挥

曲目

周天（b. 1981）

《礼献》（2019）

马克斯·布鲁赫（1838-1920）

F大调浪漫曲——为中提琴与乐队而作，作品85

李汉娜, 中提琴

彼得·伊里奇·柴可夫斯基（1840-1893）

洛可可主题变奏曲，作品33（菲茨哈根版本）

主题：犹如行板且很平稳的中板 – 淳朴的中板

变奏一：主题的速度

变奏二：主题的速度

变奏三：延续的行板

变奏四：优美的行板

变奏五：中庸的快板

变奏六：行板

变奏七和尾声：有生机的快板

何思昊，大提琴

保罗·杜卡（1865-1935）

《魔法师的学徒》

阿拉姆·哈恰图良（1903-1978）

慢板，选自《斯巴达克斯》第二组曲

尼古拉·里姆斯基-科萨科夫（1844-1908）

《西班牙随想曲》，作品 34

I. 晨歌

II. 变奏曲

III. 晨歌

IV. 场景和吉普赛歌谣

V. 阿斯图里亚斯风格的方登戈舞

The Tianjin Juilliard Orchestra presents up to 10 concerts each season, performing a diverse repertoire ranging from baroque to contemporary orchestral works, as well as pieces using traditional Chinese instruments. Resident faculty and visiting artists lead discussions, coach sectionals, and play side-by-side with students in rehearsals and performances. In addition to concerts led by the resident conductor, in recent seasons the orchestra also works with renowned guest conductors.

Ken Lam, Conductor

Program

ZHOU TIAN (b. 1981)

Gift (2019)

MAX BRUCH (1838-1920)

Romance in F Major, for Viola and Orchestra, Op. 85

Hanna Lee, Viola

PYOTR ILYICH TCHAIKOVSKY (1840-1893)

Variations on a Rococo Theme, Op. 33 (Fitzenhagen’s Version)

Thema: Moderato assai quasi Andante – Moderato semplice

Var. I: Tempo della Thema

Var. II: Tempo della Thema

Var. III: Andante sostenuto

Var. IV: Andante grazioso

Var. V: Allegro moderato

Var. VI: Andante

Var. VII e Coda: Allegro vivo

Sihao He, Cello

PAUL DUKAS (1865-1935)

The Sorcerer’s Apprentice

ARAM KHACHATURIAN (1903-1978)

Adagio from Spartacus Suite No. 2

NIKOLAI RIMSKY-KORSAKOV (1844-1908)

Capriccio Espagnol, Op. 34

I. Alborada

II. Variazioni

III. Alborada

IV. Scena e canto gitano

V. Fandango asturiano

本场演出曲目以现场演奏为准。The program is subject to change.

李汉娜，中提琴

中提琴家李汉娜曾在美国、欧洲和亚洲的卡内基音乐厅、金梅尔表演艺术中心、乔丹音乐厅、三得利音乐厅和首尔艺术殿堂等场所演出。

李汉娜曾作为独奏家与KBS交响乐团、韩国交响乐团、费尔班克斯交响乐团、法兰克福容根交响乐团和城南市立交响乐团合作演出。她是一位狂热的室内音乐家，曾受邀在拉维尼亚、韦尔比耶、克朗伯格以及万宝路音乐节上表演。作为卡拉奇弦乐四重奏成员，她演奏了肖斯塔科维奇和贝多芬的完整弦乐四重奏作品，并在多个国家进行了巡回演出。作为独奏家，她曾参与了锦湖韩亚文化基金会和首尔艺术殿堂的系列演出。

李汉娜曾获得许多荣誉和奖项，包括国际青年艺术家比赛（美国）和大阪国际比赛（日本）的主要奖项。她毕业于韩国艺术综合学校、柯蒂斯音乐学院、新英格兰音乐学院和克朗伯格学院。她曾受邀参加世界各地的音乐节，包括阿尔卑斯山音乐节、首尔新年音乐节、平昌音乐节和首尔国际音乐节等。她还是卡拉奇弦乐四重奏、锦湖独奏家和Opus乐团成员，以及澳大利亚室内管弦乐团的客座首席中提琴手。她目前任教于韩国艺术综合学校、延世大学和韩国国立艺术天才学校。

何思昊，大提琴

何思昊，旅美青年大提琴家，2020音乐季加入纽约林肯中心室内乐协会 （CMS），成为此世界最具影响力的室内乐精英团体的一员。他曾被享誉全球的大提琴家林恩·.哈雷尔这样赞誉道： “他能打造启迪和鼓舞人心的音乐画面，赋予音乐思想新的生命和意义，他的演奏与大提琴融为一体，浑然天成”。

多年来，何思昊在国内外众多比赛中取得了重大成就，包括2019年获得第68届慕尼黑ARD国际音乐大赛第三名。2017年5月在第一届伊丽莎白国际大提琴比赛中获奖。2013年11月获得第三届加斯帕尔·卡萨多国际大提琴比赛第一名，成为史上首位参加此项比赛即成功闯入决赛，并一举夺得第一名的中国人，受到世界最权威的音乐杂志之一《Strad》的高度评价。作为比赛金奖获得者，在2014年7月他赴日本东京、京都、名古屋、八王子进行了四场独奏音乐会，受到了极高的赞誉：“他有着极高的天赋，音乐感觉与技术如同魔法一般”。 2013年4月，他囊获美国弦乐教师协会2013年全美弦乐独奏比赛评委会最大特别奖（包括小、中、大、低音提琴、竖琴与吉他）以及大提琴组第一名。2011年4月获得第二届上海音乐学院附中钢琴管弦乐器协奏曲比赛一等奖。2009年5月获得第六届柴可夫斯基国际青少年音乐比赛大提琴组第四名。2009年8月获得第十三届加拿大晨兴音乐桥室内乐比赛第一名。2008年4月荣获第六届VC杯全国专业青少年大提琴比赛少年一组第一名。2008年7月，获得第十二届加拿大晨兴音乐桥协奏曲比赛第二名（包含小提琴、中提琴、大提琴、钢琴四种乐器）。2006年10月，获得第六届扬尼格罗国际大提琴比赛B组（20岁以下）第一名。

作为独奏家，何思昊曾与世界各地的许多乐团合作演出，其中包括徳国巴伐利亚广播交响乐团，东京爱乐乐团，比利时交响乐团，慕尼黑·卡默罗切斯特室内乐团，巴西圣保罗交响乐团，厦门爱乐乐团等合作并受到好评。2015年6月，他与小提琴家艾米·施瓦兹·莫雷蒂一起为美国最高法院历史协会表演。2017年，他在大都会艺术博物馆进行了表演。

在繁忙的独奏演出之余，何思昊还致力于室内乐演奏的发展。2021年，他成立的盖尔文大提琴四重奏在组建11天后就赢得了Fischoff 国际室内乐比赛的第二名，也是该比赛历史上第一组获奖的大提琴四重奏。2022年在“美国音乐艺术家协会”比赛中获得冠军，加入协会成为签约艺术家，之后在美国与加拿大各个音乐会举办系列演出。2008年，他加入Simply Quartet。2009年9月，赴维也纳参加欧盟室内乐学院，成为中国历史上首位获得此殊荣进入ECMA学习的年轻四重奏组，并在奥地利城市Grossraming及Steyr公开演出。2009年12月，获得上海音乐学院室内乐周暨2009海顿年室内乐友谊邀请赛四重奏组第一名。2011年9月，获得北京国际音乐比赛—弦乐四重奏比赛最具潜力奖。他曾受邀参加了众多国际音乐节，包括美国Menlo室内乐音乐节，Meadowmount 音乐节，Bravo！Vail音乐节，阿斯彭音乐节以及意大利罗马室内乐音乐节，并在Meadowmount与Menlo室内乐音乐节执教。

何思昊从十岁开始跟随启蒙老师倪世宏学习大提琴。次年，以专业第一名的成绩考入上海音乐学院附小，师从刘美娟教授，直至从上海音乐学院附中高中毕业。2012年8月，他以全额奖学金考入美国默赛尔大学罗伯特·麦克达菲弦乐中心，师从著名大提琴教育家汉斯·约根·詹森与著名演奏家朱莉·阿尔伯斯。2016年8月，以全额奖学金考入美国芝加哥西北大学硕士专业。他目前在西北大学Bienen音乐学院跟随汉斯·约根·詹森以全额奖学金身份攻读博士学位，并在默赛尔大学罗伯特·麦克达菲弦乐中心担任常驻教师。

林敬基，指挥

林敬基，现任天津茱莉亚学院管弦乐表演专业总监、天津茱莉亚学院管弦乐团驻团指挥，同时担任北卡罗莱纳州布里瓦特音乐中心驻场指挥以及香港和声艺术总监。

2015至2022年，林敬基任查尔斯顿交响乐团的音乐总监，并于2017年至2022年，担任伊利诺伊州交响乐团的音乐总监。此前，他还担任过巴尔的摩交响乐团教学项目的副指挥、辛辛那提交响乐团的助理指挥和香港室内乐团的首席指挥。

2011年，林敬基荣获孟菲斯国际指挥大赛的冠军，并于2009年在美国交响乐团联盟举办的华尔特指挥预演中指挥纳什维尔交响乐团。2008年，他与另外三位指挥被莱昂纳多· 斯拉特金选中，在美国肯尼迪中心指挥美国国家交响乐团，这是他在美国的正式首演。近年间，他还曾指挥辛辛那提交响乐团、辛辛那提流行管弦乐团和巴尔的摩、底特律、布法罗、孟菲斯、夏威夷、布里瓦德、莫里迪恩等地的交响乐团，以及香港小交响乐团、香港管弦乐团、韩国城南市立交响乐团、贵阳交响乐团和台北市立交响乐团等。

在歌剧方面，他曾为布里瓦特音乐中心珍尼克歌剧院的多个制作执棒，并在辛辛那提歌剧院、巴尔的摩抒情歌剧院和卡斯尔顿音乐节担任助理指挥。近年来，他在美国斯波莱托艺术节、纽约林肯中心艺术节以及多伦多光影艺术节指挥过多部歌剧作品，广受赞誉。2010年，他在皮博迪音乐学院指挥马斯奈的《曼侬》，被《巴尔的摩太阳报》评为华盛顿及巴尔的摩区十大古典音乐节目。

林敬基曾于美国皮博迪音乐学院跟随古斯塔夫·迈尔（Gustav Meier）和马坎德·塔卡（Markand Thakar）学习指挥、于阿斯本的美国指挥学院随跟随大卫·津曼（DavidZinman）和穆里·西德林（Murry Sidlin）学习，并于美国国家指挥学院随莱昂纳多· 斯拉特金（LeonardSlatkin）学习。在成为职业指挥之前，林敬基在英国剑桥大学圣约翰学院修读经济，并当过十年执业律师，从事国际金融业务。

2015年，美国约翰斯·霍普金斯大学校友会为林敬基颁发全球成就奖，以表彰他对霍普金斯大学优越传统的传承，并肯定其为学校及其专业领域作出的卓越贡献。

Hanna Lee, Viola

Violist Hanna Lee has performed throughout the United States, Europe, and Asia in such venues as Carnegie Hall, Kimmel Center, Jordan Hall, Suntory Hall, and Seoul Arts Center.  

Lee has appeared as a soloist with the KBS Symphony Orchestra, Korean Symphony, Fairbanks Symphony Orchestra, Frankfurt Jungen Symphony Orchestra and the Sungnam City Orchestra. As an avid chamber musician, she was invited to perform at Ravinia, Verbier, Kronberg, and Marlboro Festivals. As a member of the Kallaci String Quartet, she has performed complete string quartet works by Shostakovich and Beethoven and has toured in Korea and abroad. As a recitalist, she has appeared at Kumho Cultural Foundation and the Seoul Arts Center Series.

A recipient of many honors and prizes, Lee's awards include major prizes at the International Young Artist Competition (USA) and the Osaka International Competition (Japan). She is a graduate of Korea National University of Arts, Curtis Institute of Music, New England Conservatory, and Kronberg Academy. She has been invited to festivals worldwide, such as Music Alp Festival, Seoul Spring Festival, Pyeongchang Music Festival, and Seoul International Music Festival. She is also a member of the Kallaci String Quartet, Kumho soloists, Ensemble Opus, and guest principal violist at Australian Chamber Orchestra. Ms. Lee is currently on faculty at Korea National University of Arts, Yonsei University and Korea National Institute for the Gifted in Arts.

Sihao He, Cello

Cellist Sihao He first came into international prominence in 2008 as a 14-year-old cellist winning first prize at the International Antonio Janigro Cello Competition in Croatia. Later that same year, he won the National Cello Competition in China. He is also the Grand Prize winner of the prestigious 3rd Gaspar Cassadó International Cello Competition in Japan, a laureate of the Queen Elizabeth International Cello Competition International and Tchaikovsky Competition for Young Musicians. In 2019, he won 3rd prize in Munich’s ARD International Music Competition.  

He has appeared in numerous concerts both as a soloist with leading orchestras and in recitals. After winning the Grand Prize at the 3rd Gaspar Cassado Competition, he performed a recital tour in Japan and China. As a soloist, He has performed with many leading orchestras including the Bavarian Radio Symphony Orchestra, Munich Radio Orchestra, Tokyo Philharmonic Orchestra, Brussels Philharmonic, Münchener Kammerorchester, Orchestre Royal de Chambre de Wallonie, Orquestra Sinfônica de Piracicaba in Brazil, and the Xiamen Philharmonic Orchestra in China.

As a chamber musician, he has appeared at Music@Menlo, Bravo!Vail, Meadowmount School of Music and Rome Chamber Music Festival. As a member of the Galvin Cello Quartet, he won the 2022 Victor Elmaleh Competition and joined the Concert Artists Guild roster. Before coming to the US, his string quartet, Simply Quartet, won first prize at the Haydn Invitational Chamber Music Competition in Shanghai, China and was awarded “The Most Promising Young String Quartet” at the 4th Beijing International Chamber Music Competition. He is a member of the prestigious Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two).  

Born in Shanghai, China, Sihao He holds a bachelor's degree from the Robert McDuffie Center for Strings at Mercer University where he studied with Hans Jørgen Jensen and Julie Albers, and a master's degree from the Bienen School of Music at Northwestern University. He is currently attending the Bienen School of Music at Northwestern University for his D.M.A. degree under the tutelage of Hans Jørgen Jensen. Additionally, He serves as a faculty member at the Robert McDuffie Center for Strings at Mercer University.

Ken Lam, Conductor

Ken Lam is director of orchestral studies at The Tianjin Juilliard School and resident conductor of the Tianjin Juilliard Orchestra. He is also resident conductor of the Brevard Music Center in North Carolina and serves as artistic director of Hong Kong Voices.

Lam was music director of the Charleston Symphony Orchestra from 2015 to 2022 and music director of Illinois Symphony Orchestra from 2017 to 2022. Previously, Lam also held positions as associate conductor for education of the Baltimore Symphony Orchestra, assistant conductor of the Cincinnati Symphony Orchestra, and principal conductor of the Hong Kong Chamber Orchestra.

In 2011, Lam won the Memphis Symphony Orchestra International Conducting Competition and was a featured conductor in the League of American Orchestra's 2009 Bruno Walter National Conductors Preview with the Nashville Symphony. He made his US professional debut with the National Symphony Orchestra at the Kennedy Center in June 2008, as one of four conductors selected by Leonard Slatkin. In recent seasons, he led performances with the symphony orchestras of Cincinnati and Cincinnati Pops, Baltimore, Detroit, Buffalo, Memphis, Hawaii, Brevard and Meridian, as well as the Hong Kong Sinfonietta, Hong Kong Philharmonic, Seungnam Philharmonic, Guiyang Symphony, and the Taipei Symphony Orchestra.

In opera, he directed numerous productions of the Janiec Opera Company at Brevard and was assistant conductor at Cincinnati Opera, Baltimore Lyric Opera and at the Castleton Festival. In recent seasons, Lam led critically acclaimed productions at the Spoleto Festival USA, Lincoln Center Festival and at the Luminato Festival in Canada. His run of Massenet's Manon at Peabody Conservatory was hailed by the Baltimore Sun as a top ten classical event in the Washington D.C/Baltimore area in 2010.

Lam studied conducting with Gustav Meier and Markand Thakar at Peabody Conservatory, David Zinman and Murry Sidlin at the American Academy of Conducting at Aspen, and Leonard Slatkin at the National Conducting Institute. He read economics at St. John's College, Cambridge University and was an attorney specializing in international finance for ten years before becoming a conductor.

Lam is the 2015 recipient of the Johns Hopkins University Alumni Association’s Global Achievement Award, given to individuals who exemplify the Johns Hopkins tradition of excellence and have brought credit to the University and their profession in the international arena.